Zynaptiq pitchmap pro tools expert software#

You don't have to restrict your formant shifting to vocals, of course - all sorts of strange effects can be elicited by using it on other types of sound.

Zynaptiq pitchmap pro tools expert software#

Many pitchshifters have a formant shift control for adjusting formants independently of pitch, enabling pitched-up male/female vocals to maintain their masculinity/femininity, to a greater or lesser extent, depending on the software and vocal in question. With time-independent pitchshifting, pitch and time are disconnected, so raising the pitch has no effect on playback speed and vice versa.ДЄn important consideration when pitchshifting vocals is the effect that your processing is having on their formants, which are the characteristic frequencies that need to be preserved to avoid your singer suffering from 'the chipmunk effect' or just sounding weird and 'wrong'. Indeed, sometimes the 'wrong' algorithm can rough up your audio in just the right way! The pitchshifting 'type' you use can cause a big change in the quality of the result you get, but that doesn't mean you shouldn't try them all. There are a number of timestretching algorithms available to software developers, often presented to the user as different processing 'types' for use on different source material, eg, separate modes for melodic or rhythmic material. When we talk about pitchshifting nowadays, we almost always mean the time-independent kind. With time-independent pitchshifting, pitch and time are disconnected, so raising the pitch has no effect on playback speed and vice versa. This is also the default method used by samplers to play back audio, though many now offer time-independent methods too. The former uses the 'old' way of raising or lowering the playback speed via resampling to push the pitch up and down, just like adjusting the speed of a record player or tape deck. There are two main categories of pitchshifting: tape/sampler-style repitching (aka 'varispeed') and time-independent.